Von Egill Saebjornsson

First of all, the art-scene in Iceland isn’t big. Still we have about 4 or 5 active galleries (then we’re talking contemporary art) in Reykjavik and the Living Art Museum (like the kunstvereins in Germany), The Municipal Art Museum of Reykjavik (shows both contemporary and 20th century art) and the Art-Museum of Iceland (more conservative).

Those institutes and the galleries are doing extremely good in getting all kinds of exhibitions into the country compared to how many inhabitants are in Iceland and in Reykjavik. 260.000 people in whole Iceland (like a small village in Europe) of which150.000 live in Reykjavik. So Reykjavik is a small town and a Big City at the same time.

It is the capitol of Iceland and here everything happens so to say. We still have a strong gallery in Isafjordur on the West, west, west side and north up at no-place called Slunkariki. This gallery is quite well known among foreign artists that have been travelling to Iceland increasingly over the last 20 or 30 years.

Artists like Roni Horn and Richard Long are here all the time, still never to be seen at the bars because they’re always out walking in the wilderness, while we the Icelandic citychildren stay in smoky bars and stroll down Laugarvegur (the main main main street of Reykjavik with all the shops and bars around it).

That is one thing. City-child. To be born and raised in Reykjavik does mean that one IS Icelandic of course but it doesn’t mean that one has BEEN to Iceland.

To stay inside Reykjavik is totally different than going to the country side. So youngsters in Reykjavik might get the idea of GOING TO ICELAND which means to GO OUTSIDE OF REYKJAVIK and see some of this beautyful country side we have.Iceland is particular in the sense that Renaissance started in Iceland in the 20 century. Until that time there were only merchants that ruled the country like in the middle age Europe. They had all the money and ruled everything. Then in the late 19th century Reykjavik began to grow and everybody got crazy about this small place (30.000 people in 1850) and wanted to go there.

People became citychildren, with money and they wanted to go to the cinema and to make art and paint and make art-museums and galleries. Stuff that didn’t exist in Iceland before that time. Amazing isn’t it? A third world country, a Danish colony, jumps first world in one jump. Goes straight from mud and grass houses to ten floors concrete blocks of flats. Then there comes second world war and U.S.A. puts ENORMOUS amounts of money into Iceland (they were buying their way in to have an army base in the country) and everybody goes NUTTY PROFESSOR with money floating out of their pockets.

People drive into the 20th century with houses and houses and houses (lots of money comes also from the fish industry) and suddenly abstract paintings with icelandic themes and then in 1970 conceptual artists broke through (The Living Art Museum built) and since then, everything getting more and more and more like EUROPE and USA.