Columns

The column Apologies is inspired by WET—The Magazine of Gourmet Bathing, 1976–81, which has been conceived originally for a unique presentation at Udolpho in Berlin in 2014 by Julian Göthe, who is the main columnist but shares sometimes with Martin Guttmann or Scott Cameron Weaver.

BBC wird von Stephan Janitzky geschrieben. Die Kolumne gibt es seit Starship 15. BBC - Der Beautiful Books Club - präsentiert Bücher, "die wichtig sind fürs Weiterlesen wollen."

David Bussel is a writer an curator from London. Having written in Starship before he is a regular columnist since Starship 13, writing about capitalism or phenomena linked to capitalism.

Clouds is written by Stephanie Fezer, former Wurster and Vera Tollmann.
Clouds is the feminist column of Starship. It started after Starship 5, which had been edited by Stephanie Fezer.

Critic on vacation is John Beeson's on and off column for Starship. He writes about copyright issues, and legal procedures in an US American setting.

Third Things is the follow up column of Das waren die Nachrichten, a column written by Michèle Graf and Selina Grüter since 2020.

Debugging the 21st Century is a German and English column by Mercedes Bunz, drawing its title from her former magazine de:Bug, an influential Berlin based magazine. Written in London, the column deals with digital media and philosophy of technology.

Dull & Bathos is written by Jay Chung.

DTWOF (Dykes to watch out for) is a column by Julia Jung, having started in 2020 (Starship 19) by introducing painter Elizabeth Ravn. The topic of the column is somehow included in the title.

E.D.C. is written by Eric D. Clark. Every installment of E.D.C. starts by filling these letters (his initials) with a meaning and then starting to fill this with a meaning.

Flatlands is Jakob Kolding's column for Starship since #12. The column deals with books, experimental writing, and music, formal experiments, identities, and about the future.

For the birds is the column of former Starship editor Gerry Bibby. For the birds is published since Starship 13.

Greetings from New York is the column by Robert McKenzie. It follows the title and introduces voices from the New York art scene.

Karl Holmqvist is an artist, poet, and columnist for Starship. The Karl Holmqvist column mostly takes the form of a poem but can also change into an image or both.

Kinderkommunismus ist eine der ältesten Kolumnen von Starship. Sie wird seit 1998 von Ariane Müller, die Starship auch herausgibt, geschrieben. Kinderkommunismus dreht sich zumeist um die Berliner Kunstszene, streift lesenswerte Bücher und betreibt auch manchmal so etwas wie Kritik.

Kinder, Tiere, Greise als Sammler wird von Francesca Drechsler geschrieben. The column is published in German and alternately in English. Kinder, Tiere, Greise als Sammler bezieht sich auf einen Text des Deutschen Philosophen Walter Benjamin. Die Kolumne tut genau das, sie sammelt, das heisst, sie spaziert am Strand entland und sammelt, was das Meer anspült.

The column written by Chris Kraus, writer from New York, has been published between 2014 and 2018.

Meldungen im Einzelnen ist der Name der Kolumne von Max Schmidtlein.

Mollicutes is a column by Tenzing Barshee. It sometimes follows his novel in progress, sometimes it hints at artists, travels and people met. Tenzing Barshee, the author of Mollicutes is a curator and writer.

For his column Starship has asked Christopher Müller for a contribution–a text, an image, or something that would indicate some of the issues and ideas that occupies him at the moment.

Nichts wird so sein, wie es war wird von Hans-Christian Dany geschrieben, und beobachtet die Welt um sich. Unter diesem Titel sind alle Kolumnen von Hans-Christian Dany versammelt. Als Gründungsmitglied und langjähriger Herausgeber von Starship ist er auch seit 1998 Kolumnist.

Notes is a column by Mihaela Chiriac, having started in Starship 19, 2020.

The Parliament of Bodies was founded in the course of documenta 14’s making, and is a network of artists, activists, writers, theorists, performers and others. Their collective activities are constantly undergoing changes, one of which now includes their contributing as Starship columnists.

Riddle was a column by artist collective Lou Cantor, which examines the contours of inter-subjectivity and interpersonal communication. The problematic alliances at the edges of communicative interaction are highlighted in their contribution, accessible only by resolving a puzzle.

Schade Independent war eine Medienkolumne zwischen 1998 und 2000.

The Mark von Schlegell column is based on writings by Mark von Schlegell, chosen and re-edited by him for the column that is part of Starship since 2015.

Spreadsheet is the column of San Francisco based artist, writer and entrepreneur Robert M. Ochshorn. He writes about social aspects of technology applications and the Bay Area as a sort of social testing field.

Tales of stupidity war eine Kolumne von Judith Hopf, die 1998 begann und lose bis 2018 weitergeführt wurde.

The music column is written by Robert Meijer since Starship 13.

Tropicalismo and Plattenbau ist der Übertitel aller Kolumnentexte von Florian Zeyfang, einem Kolumnisten von Starship seit der Gründung. Tropicalismo and Plattenbau selbst ist Teil einer Recherche über Kuba, die von ihm, Lisa Schmidt Colinet und Alexander Schmoeger durchgeführt wird. Unter diesem Titel finden sich auch andere Kolumnentexte für Starship.

Writing psychedelia is the column of Lars Bang Larsen, an art theoretician and a writer based in Copenhagen. The column has been established in 2020 for Starship 19.

Amelie von Wulffen has a column in Starship which mostly takes the form of a comic.

Zum Geld wird von Ulla Rossek geschrieben. Seit 2019 gibt es die Ökonomiekolumne Zum Geld, die lose Ulla Rosseks Recherche über Geld folgt.